Tonia Indigo Hughes
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact
​©Tonia Indigo Hughes, 
Please do not copy or share any text or images from this website without the expressed permission of the artist.
2025
Approximately 20"x24" lumen prints on fiber gelatin silver paper created with food from family recipes, coated in encaustic wax, sewn with red thread onto paper
I have a complicated relationship with food.  Most women do, I suppose.  Food evokes memories.  For me, so many of the memories attached to food include sounds of women's voices laughing and telling stories among the clatter of pots and pans.  It is in the kitchen that history is told, but, her-story instead of his-story. I should also say that it was in the kitchen that I first heard the whisperings of the "angel of the house," as Virginia Woolf would call her. We didn't just cook and clean in that room, it was a place where I was schooled. I learned what was expected of a woman, how I should behave, and how to properly serve, as I sat absorbing those stories in the kitchen.  The ghosts of those conversations still haunt me. My feeble attempt to kill the ghosts, to choke out the "angel of the house," might be, at least in part, my continued refusal to cook.
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact