Tonia Indigo Hughes
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact
​©Tonia Indigo Hughes, 
Please do not copy or share any text or images from this website without the expressed permission of the artist.
2025

Still, Mississippi Goddamn

In March, 2025, I was at a conference while witnessing the closing of the Department of Education with colleagues.  We watched in horror as another plethora of Executive Orders were announced by the Trump administration. Back in my hotel room, I watched the documentary entitled I am not your negro and reflected on the cyclical nature of our history.  We take two steps forward only to be pushed one step back, or perhaps we take one step forward only to be pushed two steps back. This body of work was created in response.  It was a response of anger and frustration. I felt dumbfounded by colleges and universities submitting to the Dear Colleague letter.  A colleague, Dr. Tai Edwards, Professor of History, stated the obvious as she explained to our administration, "executive orders are not laws." Unfortunately, they were punishable by the removal of funding, a punishment our students would suffer should we defy orders.  This body of work, both installation and music / art video, is intended to serve as a battle cry of sorts, or at least, a reminder to fight.  While institutions may be backed into corners, as individuals we must continue in resistance.  
Still, Mississippi Goddamn installation link
Still, Mississippi Goddamn music / art video link
  • Tonia Indigo Hughes
  • Still, Mississippi Goddamn
    • Still, Mississippi Goddamn music / art video
    • Sill, Mississippi Goddamn Installation
  • Daily Commute
    • Daily Commute Statement
    • Seasons
    • Fits and Starts (mural prints)
    • Fits and Starts
    • Connections in Blue
    • Stop
    • Potentially hazardous: The Road is Life
    • Pause
    • videos for installations
    • Gallery views
  • Past Projects
    • On Marginalization
      • SALT
      • Pink show
      • Homogenized
      • Homogenized Video
      • The Sleep of Reason Produces Monsters
      • The Straw that Broke the Camel's Back
      • Scanned
      • Link 1 ea.
      • The Maze
      • Women in Boxes
    • On Grief and Healing
      • Cling
      • Defiance
      • Indulging in the Ashes
      • Remains
      • Preserves
      • Space
    • On Environmental Concerns
      • Empty Nest and the Greenhouse Effect
      • Ice Age
      • Searching for the Remote
    • On Being: Maiden, Mother, Crone
      • Drum Circle
      • Shedding Skin
      • My Mother's Hands and the Ninth Chime
      • Shedding Tears
      • Homeland
      • Cyborgs
      • The Exhibition: Maiden, Mother, Crone
  • Oh! The Places I've Been!
  • Artist Statement
  • Teaching
    • Samples of Student Work
      • Black and White
      • Color
      • Installation and alternative
      • Video
    • Teaching Philosophy
      • Diversity Statement
      • for faculty portfolio review
  • About
  • Contact